{"id":2292,"date":"2023-07-06T16:11:24","date_gmt":"2023-07-06T19:11:24","guid":{"rendered":"http:\/\/lucasluccas.com\/?post_type=projeto&p=2292"},"modified":"2023-08-25T15:42:46","modified_gmt":"2023-08-25T18:42:46","slug":"vila-botegare","status":"publish","type":"projeto","link":"https:\/\/lucasluccas.com\/en\/projetos\/vila-botegare\/","title":{"rendered":"Vila Botegare"},"content":{"rendered":"
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Name and Positioning<\/strong><\/h2>\n\n\n\n

The first stage of the project development was choosing the name, where my role involved evaluating different variations and selecting the final solution. The process began with a historical overview of immigration in Brazil, which has left a significant mark on the national and Barra do Pira\u00ed's culture to this day.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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In the search for a name that would encapsulate the immigration and prominent Italian families, Giuseppe Bottega, who arrived from Naples in 1891, was found. Variations of his surname include the spelling Bottegari, derived from \"botega,\" a synonym for shop or store. Through a mind map, several combinations were explored and evaluated, ultimately leading to the final form of Vila Botegare<\/strong>. The noun \"Vila\" reinforces the idea of community, warmth, and togetherness.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Cultural References<\/h2>\n\n\n\n

In the second stage, we defined the core concepts of the brand through a survey of cultural references. We also developed a semantic panel with images of Brazilian colonial architecture, European villages, and small local restaurants that conveyed a sense of coziness and simplicity. The cultural elements used as inspiration were as follows:<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Central do Brasil Railroad<\/strong><\/h4>\n\n\n\n

It was the largest railroad in the country during the coffee cycle in the 19th century and a landmark in Brazil's economic development. It passed through several municipalities in the Fluminense interior, including Barra do Pira\u00ed.<\/p>\n<\/div>\n\n\n\n

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Industrial Materials<\/strong><\/h4>\n\n\n\n

Cast iron, carved wood, and stone were widely used materials in the constructions of that era. They evoke the first industrial age, locomotives, Brazilian colonial architecture, and the cobblestones of small villages.<\/p>\n<\/div>\n\n\n\n

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Visual References<\/h2>\n\n\n\n

Searching for documents from the Central do Brasil Railroad, we were able to find a book dated 1881 with photographs of several stations that comprised the railway, as well as the overall layout of the railway network until the year 1892 and cartographic maps.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Based on the documents, similar visual references were collected from other sources. The colors, typographies, and elements served as inspiration for the design of the brand.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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The Logo<\/h2>\n\n\n\n

Using the references and research, I sketched a series of alternatives that were selected and refined, resulting in the final logo solution.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Main Elements<\/h3>\n\n\n\n

By constructing an exclusive typography, hand-drawn and digitally refined, the name became the main element of the composition. Both the shape and dimensions were designed to evoke the influence of the Central do Brasil Railroad.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Lettering
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Referencing railway station signs and industrially produced signage.<\/p>\n<\/div>\n\n\n\n

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Symmetry and condensed letters<\/h4>\n\n\n\n

Conveys a sense of stability and references the aesthetics of that era.<\/p>\n<\/div>\n\n\n\n

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Geometric ornaments and layers<\/h4>\n\n\n\n

Striking a balance between elegance and simplicity, simulating volume and three-dimensionality.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Precise Construction<\/h3>\n\n\n\n

Although it was originally hand-drawn, there was a constant effort in the vectorization process to ensure that the logo had great precision and balance in its strokes, referencing industrial production processes.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Visual Identity<\/h2>\n\n\n\n

After finalizing the brand, a series of application tests were conducted to define the other components of the visual identity. In this stage, we selected the institutional typography and supporting elements.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Institutional Typography<\/h3>\n\n\n\n

To define the typography, we chose fonts that combined elegance and precise construction. Therefore, the contrast between weights and heights was prioritized, along with the legibility of the texts.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Titles and letterings<\/h5>\n\n\n\n

\"Demonstra\u00e7\u00e3o<\/p>\n<\/div>\n\n\n\n

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Subtitles and highlights<\/h5>\n\n\n\n

\"Demonstra\u00e7\u00e3o<\/p>\n\n\n\n

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Paragraphs<\/h5>\n\n\n\n

\"Demonstra\u00e7\u00e3o<\/p>\n<\/div>\n\n\n\n

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Paragraphs<\/h5>\n\n\n\n

\"Demonstra\u00e7\u00e3o<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Color Palette<\/h3>\n\n\n\n

The color palette directly references the aged aesthetic of the maps used during the conceptualization stage, with earthy and warm tones that reinforce a sense of warmth and historical tradition.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Base<\/h5>\n\n\n\n

Beige<\/h3>\n\n\n\n
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RGB<\/strong>
230 \/ 120 \/ 180<\/p>\n\n\n\n

CMYK<\/strong>
10 \/ 15 \/ 30 \/ 0<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Text<\/h5>\n\n\n\n

Brown<\/h3>\n\n\n\n
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RGB<\/strong>
70 \/ 55 \/ 55<\/p>\n\n\n\n

CMYK<\/strong>
60 \/ 65 \/ 60 \/ 55<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Highlight<\/h5>\n\n\n\n

Golden<\/h3>\n\n\n\n
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RGB<\/strong>
160 \/ 130 \/ 90<\/p>\n\n\n\n

CMYK<\/strong>
35 \/ 45 \/ 70 \/ 10<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Complementary 1<\/h5>\n\n\n\n

Navy blue<\/h3>\n\n\n\n
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RGB<\/strong>
70 \/ 90 \/ 120<\/p>\n\n\n\n

CMYK<\/strong>
80 \/ 65 \/ 35 \/ 15<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Complementary 2<\/h5>\n\n\n\n

Emerald<\/h3>\n\n\n\n
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RGB<\/strong>
95 \/ 120 \/ 100<\/p>\n\n\n\n

CMYK<\/strong>
65 \/ 40 \/ 60 \/ 15<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Supporting Elements<\/h3>\n\n\n\n

The supporting elements were used as resources to enhance the visual concepts and create consistency in the identity.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Constructive lines<\/h4>\n\n\n\n

These lines replicate the markings used on cartographic maps for location and scale representation of spaces.<\/p>\n<\/div>\n\n\n\n

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Paper
textures<\/h4>\n\n\n\n

They provide an aged and realistic appearance to materials, establishing a connection with the history of the municipality and Brazil.<\/p>\n<\/div>\n\n\n\n

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Frames and letterings<\/h4>\n\n\n\n

Refletem os documentos usados como refer\u00eancia e trazem a ideia de tradi\u00e7\u00e3o, constru\u00e7\u00e3o e requinte.<\/p>\n<\/div>\n\n\n\n

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Documentary photographs<\/h4>\n\n\n\n

Visually tell the story of immigrations and Brazil's development.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Implementation and Outcome<\/h2>\n\n\n\n

Based on the visual identity, all auxiliary materials such as menus, placemats, napkins, packaging, and signage were developed. During the implementation phase, Mamutus closely monitored both the interior design project, created by architect Clayton Macedo, and the production process of materials and signage installation to ensure consistency and reinforce the brand's image.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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With the completion of the construction and production of materials, the project was finalized, and Vila Botegare is now fully operational. Visit their Facebook page<\/a> to explore and stay updated on the latest news about the space, or pay<\/a> them a visit in person to experience the result firsthand.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Vila Botegare emerged with the goal of being a gastronomic space based in Barra do Pira\u00ed, welcoming people from all backgrounds, cultures, and tastes. Originally planned to house a deli, a Japanese restaurant, a pasta house, and a caf\u00e9 and bistro.<\/p>\n

Our work was to research the history and cultural references and develop a name and identity for the space that conveyed all its values. My focus on the project was on brand development, visual identity, and signage.<\/p>","protected":false},"featured_media":2293,"menu_order":1,"template":"","tags":[47],"servico":[27,26],"class_list":["post-2292","projeto","type-projeto","status-publish","has-post-thumbnail","hentry","tag-destaque","servico-identidade-visual","servico-marca"],"_links":{"self":[{"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/projeto\/2292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/projeto"}],"about":[{"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/types\/projeto"}],"version-history":[{"count":15,"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/projeto\/2292\/revisions"}],"predecessor-version":[{"id":2745,"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/projeto\/2292\/revisions\/2745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/media\/2293"}],"wp:attachment":[{"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/media?parent=2292"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/tags?post=2292"},{"taxonomy":"servico","embeddable":true,"href":"https:\/\/lucasluccas.com\/en\/wp-json\/wp\/v2\/servico?post=2292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}